5年

By , 2011年 5月 12日

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《五年》是一个针对D22酒吧和音乐场景的简短回顾。 长期以来，作为一个聚合地，这里作为一个摇滚乐酒吧，它帮助孕育出了一群中国当今最知名的独立摇滚和朋克乐队。尽管这只是一个由D22五周年引起的迷你纪录片，当然还不足以全面地展现这个聚合地从2006年开张以来所有在此安家的乐手们，但是目前，它仍然可以作为一个诚实的见证和温暖的回顾，带给未来全新的思考和无限的可能性。

5年 is a brief retrospective of D-22, a venue in Beijing that has helped to incubate some of China’s best-known indie and punk bands. Though this mini-documentary was occasioned by the 5th anniversary of D-22, it isn’t as much about the venue as the artists who have used it as a home base since it opened in May 2006.

《五年》覆盖了由D22协助创建的两个北京音乐阵营，对于这两个前赴后继的阵营，我们更愿意称之为一个振奋人心的接力运动。首先是“no beijing”，一个从No New York 短暂的无浪潮音乐旗帜里再生出的遥远分支,历史见证了他们的狂躁与矜持，相当宝贵的是，自始至终他们保留着对前辈致敬与肢解共存的态度。Carsick Cars，刺猬, 后海大鲨鱼和嘎调，他们从上世纪70年代的纽约地下汲取营养，混合昔日五道口开心乐园无政府主义的残片，在当下混沌而超验的北京，开始肆意谋划着新标语背后的故事。大多数受访者和现场音乐来自NO BEIJING的核心乐队和乐手们，我们诚实的追踪纪录他们在D22扮演的角色，《五年》的时光也让每个人给予他们自身一个全新的定义，并彻底的将D22视为传播和发展自身运动与个体转化的坚实平台。

5年 covers two Beijing music communities that D-22 has helped to create. The first is “No Beijing”, a self-selected banner adapted from the seminal No Wave compilation No New York and adopted by bands like Carsick Cars, Hedgehog, Queen Sea Big Shark, Snapline, and The Gar to give their musical generation a name. 5年 incorporates interviews and live footage from these musicians to track D-22’s role in giving them an identity and a platform for developing and refining their sound.

第二个分支，是从no beijing 手中传递出的接力棒衍生出的全新阵营——燥眠夜，从2009年八月开始的一个每星期二在D22上演的实验专场。就像它的组织者朱文博说的，燥眠夜是一个开放的舞台，对所有还处在学生时代的年轻人一个自由施展的舞台，一个展现中国前卫音乐新势力的舞台。演出固然时好时坏，甚至常常出现令人不快的不靠谱玩票人士，但这也是燥眠夜的一部分，实验的初级阶段，无所顾忌的新鲜和刺激，与此同时，它也成为一个D22全新的分支，在推陈出新的另一个角落，不断地孕育出新的商业感召力。

The second portion offers a snapshot of Zoomin’ Night, a weekly experimental music showcase launched in August 2009 that takes place every Tuesday at D-22. As its organizer Zhu Wenbo notes, Zoomin’ Night is an “open stage” for mostly college-aged students to freely operate at the avant garde of Chinese music. Sometimes great, sometimes terrible, and often off-putting to the casual concert-goer, Zoomin’ Night is a true experiment — and one that is enabled by D-22’s continued mission of incubating new music regardless of possible commercial appeal.

《五年》由旁边儿团队制作。拍摄、剪辑、字幕由Maya Rudolph, Benny Shaffer, Lulu Chow and Josh Feola制作。

5年 is a pangbianr production. It was shot, edited, and subtitled by Maya Rudolph, Benny Shaffer, Lulu Chow and Josh Feola.

被访问者：张守望 (Carsick Cars, White+), Michael Pettis (D22、兵马司创始人), 杨海淞 (PK14), 李岩 (Rustic)，李青 (Snapline, 苏维埃·波普), 李维斯 (Snapline, 苏维埃·波普), 朱文博 (Fat City, 小红与小小红, 燥眠夜组织者)

Interviews: Zhang Shouwang (Carsick Cars, White+), Michael Pettis (Founder of D-22/Maybe Mars), Yang Haisong (PK14), Li Yan (Rustic), Li Qing (Snapline, Soviet Pop), Li Weisi (Snapline, Soviet Pop), Zhu Wenbo (Fat City, 小红与小小红, Zoomin’ Night Organizer)

现场音乐采集: White+, PK14, 鸟撞飞机, Carsick Cars, 小红与小小红, Fat City, Discord, 路新配, NMLK, 憬觀·像同疊, 烧酒军团, Which Park, Simon Frank, 金司机, 闫玉龙, Rustic, 张守望, No Words, 李铁桥和修迪, Joe’s Heart, 苏维埃·波普, 吹万, A4 Destroyer (刘心宇和闫玉龙）

Featuring live footage and the music of: White+, PK14, Birdstriking, Carsick Cars, Xiao Hong Yu Xiao Xiao Hong, Fat City, Discord, Luxinpei, NMLK, The Offset: Spectacles, Soju Legion, Which Park, Simon Frank, Golden Driver, Yan Yulong, Rustic, Zhang Shouwang, No Words, Li Tieqiao and Xiu Di, Joe’s Heart, Soviet Pop, Chuiwan, A4 Destroyer (Liu Xinyu and Yan Yulong)

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