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The Other Place @ BJDW 2013
By
Josh
Here’s the lowdown on everything we’ve got cracking at The Other Place for Beijing Design Week 2013
此地无声 The Sound of Nowhere
By
Josh
一个通过“声音”为媒介的公共空间项目,寻找隐藏在人们感知深处的视觉、听觉与意识的共鸣 A one-week sound installation series spread across the Gulou/Andingmen area, centralized at HomeShop
Yan Jun: “Noise and the Apocalypse”
By
Josh
Read an article by Yan Jun about silence, sound and the end of the world (translated by Dominik Salter Dvorak) + stream a recording from Yan Jun’s Spring 2011 US residency
朴道草堂 书店和画廊 opening
By
Josh
New DIY bookstore/art space off Nanluoguxing opening this Saturday with a local art exhibition
我们的噪音,图像,朋友和市场压力 OUR NOISE OUR IMAGES OUR PRESSURE OUR FRIENDS, in the SUPERMARKET
By
Josh
Saturday March 5th: A release party for Ruan Qianrui’s “Burned Blueprint” at HomeShop featuring magic, music, food and more. 3月5日(周六)在家作坊会发行阮千瑞的书。魔术表演,音乐表演,饮料,小吃,等等…
阮千瑞和《毁烬蓝图》
Ruan Qianrui’s “Burned Blueprint”
By
Josh
撒把芥末平面设计师阮千瑞的独家采访及其新作品集介绍。Exclusive interview with designer Ruan Qianrui about his recent show at the V&A Museum and the new book of his 2006-2010 design work.
Sub UCCA Jam 撒把芥末在UCCA系列演出评论
By
Josh
Read a review of the final event in the Sub Jam/UCCA performance series published in LEAP magazine and check out a supplementary video and UCCA’s response. 在《艺术界》杂志评论撒把芥末最后一次在UCCA的演出,还有朋友拍的视频和UCCA工作人员演出之后发给颜峻的邮件。
DISTRO: pbr zine vol. 2 第二“旁边儿小杂志”
By
Josh
旁边儿发行第二个小杂志,有食谱,各地趣闻,分类广告等等。Volume 2 of our photocopy zine featuring recipes, a travel section, classifieds, and more…
HomeShop New Space Opening, 23 December 2010
By
Josh
HomeShop is reopening at a new outpost near Beixinqiao on Thursday. Come out for a collaborative newspaper printing workshop and some organic veg snacks from Little Donkey Farm. 家作坊于2008年创建于北京。它是一个结合了”门店”与”居家”双重功能的艺术空间,随着人数和力量的不断增长。12月23日我们搬到了北新桥附近的新空间中。
阮千瑞设计的唱片封面 Ruan Qianrui: Album Design
By
Liu Kai
阮千瑞,平面设计师,八〇后,现居住生活工作于北京。他也是一个狂热的音乐爱好者,因此理所当然也负责唱片的平面设计和包装以及现场演出海报的设计。First in a two-part series featuring the design work of Ruan Qianrui, a crucial figure in the articulation of Chinese underground music’s visual culture.
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